Tag Archives: Art

Chaw Ei Thein: Expression and Exile in Burma

Back when I was finding my bearings while writing on contemporory art in Saigon, an artist and RMIT faculty member named Richard Streitmatter-Tran was one of my most informative and generous contacts. During my last interview with Rich, he touched on an aspect of his life we hadn’t spoken about in our previous conversations: his wife, the Burmese artist and political asylee, Chaw Ei Thein.

So when I received an email notification from the Asian American Writers’ Workshop that Chaw Ei would be performing and speaking at their 27th Street space, I marked my calendar.

I arrived to find the chairs arranged around a curious performance space comrpised of a toy motorcycle, a model airplane, a bed of stones, a bowl of rice, and a bucket of water. As the evening began,  Chaw Ei emerged from a back office, her face obscured by a black detention hood, ambling in a rigged, pained march that recalled butoh. At the motorcycle, she raised her arms in front of her and squatted, as if riding an imaginary bike. Then, at the airplane, she stood on one leg with arms stretched out to her side, again seemingly simulating transport. Next, she kneeled on the stones and ate from the bowl of rice, her arms behind her back. As she crawled forward to the bucket, I thought she might drink from it. Instead, she submerged her face, as if being drowned by a phantom assailant.

Performance photos courtesy of Jonathan Hulland

Afterwards, during a discussion led by Todd Lester, founder of event co-sponsor freeDimensional, Chaw Ei spoke about her belief that all Burmese have a responsibility to do what they can to fight for freedom. As a political asylee unable to contribute directly, performance has become Chaw Ei’s contribution.

The performance, in fact, is a quite literal expression of torture in Burmese prions: the motorbike and airplane simulations mirror stress positions prisoners are made to endure, while eating from the rice bowl expresses the humiliation tied to even the most basic human necessity of sustence. The drowning requires no explanation. Through this visceral and disturbing art piece, Chaw Ei raises awareness of the more than 2,000 political prisoners currently being detained and tortured in Burma. In the photos above, you can see representations of them meticulously scrawled on her face, arms, and legs.

Chaw Ei herself has spent time in a Burmese prison. She described a performance in which she and collaborator Htein Lin sold items on the street pegged to the old currency, a means of calling out the rapid inflation caused by the Burmese junta’s devastating monetary policy. The authorities were not amused; they locked up Chaw Ei and Htein for a brief period.

September Sweetness, Chaw Ei Thein & Richard Streitmatter Tran, via http://chaweithein.blogspot.com/

September Sweetness, Chaw Ei Thein & Richard Streitmatter Tran, via http://chaweithein.blogspot.com/

She also touched on September Sweetness, a collaborative project from the 2008 Singapore Biennale that I’d seen in materials Rich had given me. The project encompassed a 5.5-tonnes sculpture of a Buddhist temple, inspired by a photograph of a decaying temple in Burma’s Bagan region. Once completed, the impressive piece, which was completed with the help of more than a dozen volunteers, was left in the humid open air to melt. Chaw Ei mentioned that the project reflected the Buddhist concept of impermanence, but it is also open to interpretation. Among many things, one can read into it the state of decay Burma has long suffered, reflected by the actual decay of its architectural heritage.

In as far as it sought to raise awareness, the event was a success. After Chaw Ei’s performance and Todd Lester’s interview, many in the audience were eager to hear Chaw Ei’s feelings on the current political situation in Burma and find out how they could better inform themselves. I would strongly urge anyone interested in these issues to support the work of freeDimensional and event co-sponsor, the World Policy Institute. Through freeDimensional, Chaw Ei and other artists have been able to secure positions in New York Foundation for the Arts’ Immigrant Artists Program.

More about the artist:

CHAW EI THEIN (b. 1969, Yangon, Myanmar) is a painter and performance artist currently based in New York. Chaw ei was selected for the New York Foundation for the Arts Mentoring Program for Immigrants Artists through a partnership with freeDimensional. Her work has been widely covered in the international arts press including Asian Art Now, Asian Art Achieve, Artforum, Art Asia Pacific, Yishu, C-Arts, The Strait Times and The New York Times. In addition to her work as an artist, she is also co-founder and Director of the Sunflower Art Gallery in Yangon. In this capacity she has developed several initiatives including the organizing of art exhibitions and fairs including special exhibitions for children’s art in Myanmar and Cambodia, and for psychiatric patients. She has been teaching art to children for more than 15 years and served as Editor for a youth magazine in Yangon. As an advocate for art, education, and creative expression, she has been a vocal critic of the restrictive curricula in Burma. Currently living in New York, she has exhibited new works at the Point B Gallery, Da Gallery, Fardom Gallery, Puffin Room, SoapBox Gallery, United Nations Plaza and the International Studio and Curatorial Programme (ISCP) Open Studios, Grace Exhibition Art Space in United States. Her website is www.chaweithein.blogspot.com.

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Filed under Art, Causes, New York City

Extended Dinh Q. Le Interview on AsiaLIFE Blog

Dinh Q. Le at San Art, May 2010. Photo by Richard Harper for AsiaLIFE

For this month’s AsiaLIFE, I interviewed contemporary artist Dinh Q. Le for our Q&A section. Dinh has been one of the most recognized Viet Kieu (overseas Vietnamese) artists in the contemporary art world since the 90s. On June 30, his three-channel installation The Farmers and the Helicopters will be the subject of a six-month exhibition at New York’s Museum of Modern Art. You can read the full interview on the AsiaLIFE blog.

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Meanwhile, at the AsiaLIFE blog…

I’ve been blogging less than usual over at the AsiaLIFE blog, largely because I wrote the last two cover stories for the March and April issues (issues 24 and 25) on top of my regular managerial and editing duties, leaving me little time to devote to the digital domain. However, I’m back in the swing of things. Here’s what you can find over on the AsiaLIFE blog:

Leslie from Smile Group, a fantastic local nonprofit that builds community among and provides support to HIV-affected families, sent us an update on what the group’s been up to. Read the post here.

Also check out AsiaLIFE contributing editor Thomas Maresca’s excellent story from Issue 20 in which he profiles three of the families and sheds light on HIV/AIDS in Vietnam.

Sugar-coated Karma by Tuan Andrew Nguyen @ San Art's "Syntax + Diction"

Although the artist talk took place this past Thursday, check out this post for a brief introduction to leading Vietnamese artists Dinh Q. Le and Tuan Andrew Nguyen. Other suggestions:

1) Head over to the Galerie Quynh website for more info on Tuan Andrew Nguyen.

2) If you’re visiting Saigon, check out San Art and Galerie Quynh.

3) If you’re in New York City or visiting there this year, go see Dinh Q. Le’s installation The Farmers and the Helicopters, opening June 30 at the MoMa and on until January 11, 2011.

4) Read my cover story on contemporary art in Ho Chi Minh City in Issue 25 of AsiaLIFE.

Nordic Week at the Equatorial Hotel Returns to Saigon

One of my favorite food events in Saigon, Nordic Week, returns to the Equatorial Hotel from April 24 to 30. Get the skinny here, or head over to VietNews Online, where you can read my article on New Nordic Cuisine first published in the June 2009 issue of AsiaLIFE.

David Macmillan and Keith Rotheram in Phnom Penh, photo by Fred Wissink, photo editor for AsiaLIFE

I also wrote a third blog post on the controversial media coverage of the Sean Flynn discovery. It seems that Tim King, the executive editor of Salem News, took note of my posts on the questionable reportage and what I view as clear bias against Macmillan. He picked up on the story and put the news media under the lens in two stories.

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Filed under Art, Food & Drink, Ho Chi Minh City, Media, Vietnam

Traveling Exhibit Focuses on Vietnamese Women Artists

While researching an article on performance art in Vietnam, I came across an interesting art exhibit currently traveling around the United States. “Changing Identity: Recent Work by Women Artists from Vietnam” is comprised of 52 works by ten female Vietnamese artists “who challenge the stereotypes and traditional roles of women in Vietnamese society.” The exhibit’s website at artsandartists.org summarizes the show:

“Each of these women has a particular way of shaping her work and of identifying herself that is both personal and universal. Through the use of various media, subject matters, and aesthetic sensibilities, the artists explore gender and cultural identity and offer a diversified view of Vietnam itself.”

The exhibit, curated by Nora Annesley Taylor of the Art Institute of Chicago, is currently on show at the Iris and B. Gerald Cantor Gallery at the College of the Holy Cross, Worchester, Massachusetts. It will next move to the Utah Museum of Fine Arts in Salt Lake City before reaching the final leg of its tour at the Weisman Art Museum at the University of Minnesota in Minneapolis.

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Filed under Culture, United States

Painting with Street Children

I stopped by a painting class for disadvantaged youth and street children run by Armed with a Paintbrush to research an article I’m writing about the American nonprofit for AsiaLife HCMC. The good folks at AWAP handed me a paintbrush and let me paint with a gaggle of pre-adolescent artists:

Painting with street children

Painting with street children

Friends from back home will recognize my inspiration: Charlie, the beagle I left behind…

When the AWAP gallery opens next month on Bui Vien Street, conscious-minded art enthusiasts can swing by to purchase paintings created by local youth and to get their hands dirty doing a spot of painting. For the time being, you can peruse AWAP’s paintings currently available at its online store.

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Filed under Causes, Ho Chi Minh City, Vietnam